"The book is a film that takes place in the mind of the reader." ~ Paulo Coelho
Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Saturday, January 24, 2026

The Smashing & Dashing 2025 Character Awards! // feat. movies and shows, too, because I can't help it

Hi, friends!

I've already listed out all the books I read in 2025 and all the movies I watched in 2025, but it isn't enough to just say them, I want to talk about the characters.

I know, I know, I should stop talking about 2025 and just move on with the new year. The thing is, though, that I experienced about 100 different stories last year, from words on a page to people on a screen! One doesn't just get over that.

With the recent announcement of the Oscar nominees for this year, I'm in the mood to give out some awards myself. Therefore, I'm going to fill out the Smashing & Dashing 2025 Character Awards! Credit to C. G. Drews of PaperFury for creating the tag ages ago, and to Katie Hanna and Sarah Seele for always reminding me about it. Their posts are awesome, you seriously need to check them out. I'm just a copycat.

But me being me (i.e. too obsessed with a visual format), I'm going to be including characters from movies and TV shows, so each question will get a book answer and a movie/TV show answer.

Additionally, I'm going to try to only use each story once as I have a ton to choose from. Wish me luck!

Just because I'm talking about these characters does not mean that I like the stories they are from, but they should get props all the same. Let's get into it!


1. Most Relatable Character

Book: Harriet Manners from Geek Girl. I'd related to her in the TV show, and this year I related to her just as much in the book. I want to read the rest of the series ASAP. She's awkward but adorable and I want to strive to have her compassion.

Movie/TV show: Maomao from The Apothecary Diaries. She's just wants to do her job and experiment with poisons and not be bothered by people. I'm not into poisons, but there were so many times that I felt what she was feeling, especially when Jinshi is trying to be sparkly and flirty and Maomao has her priorities in a different place. 

#notimpressed


2. Most Pure Animal Companion

Book:
Paganini, who is a rabbit, from the Vanderbeekers books! Those kiddos also have a sweet, sweet dog, but I can't think of his name right now.

Movie/TV show: This has made me realize how few animals I see in movies and that makes me sad. The cow from The Rare Breed (1966) is pretty stinking cute. His name is Vindicator, which doesn't quite live up to how adorable he is, but that's fine. The poor guy has been dragged all over the place, from England to the Wild West!


3. Fiercest Fighter

Book: Agatha from The School for Good and Evil. She and her best friend Sophie are stuck in a magical school and Aggie will stop at nothing until they're out of there, and she has tons of obstacles to face, like Sophie herself.

Movie/TV show: Evelyn from Everything Everywhere All at Once (2022). If you've seen the film I don't think any explanation is needed. If you haven't, just know that Evelyn is facing both physical and emotional battles.


4. Am Surprised That I Loved You??

Book: Lord Peter Whimsey from Gaudy Night. I'd read Whose Body? a couple of years ago and did not like Peter. Here, I had several times where I was cheering for him. He'd mellowed and had a deeper side and we met his nephew which explained a lot.

Source

Movie/TV show: Mary Yellan from Jamaica Inn (1939). This is surprising because I'm not usually a fan of her Maureen O'Hara's acting, but I sympathized with her immediately (debut for the win!) because she's just trying to find a new home and instead immediately gets thrown into conspiracies.  


5. Best Sassmaster

Book: Hercule Poirot from The Early Cases of Hercule Poirot. I already talked about this, but he says such cutting things to Hastings and I love it. I should've written down more of what he said because at least once per story he had me giggling. 

Movie/TV show: Myeol-mang/Kim Sa-ram from Doom at Your Service (2021). ACK. I LOVE my sassy boy. I mean with iconic blue/green hair the sass has to live up to the look. He's the personification of doom itself, and has been nihilistic for a while until he found someone to bother. Then the sass comes out full force when he's in front of Dong-kyung. For example, he can hear peoples thoughts and the first time we see him, someone has bumped into him and thought, "wow, he's handsome" which Sa-ram immediately answers out-loud with "I know." 

And now my computer dashboard is covered in gifs of him that I don't know what to do with, so another one is going into this post. It's the only rational thing to do.

That sassy smirk!


6. Best Antihero

Book: André-Louis from Scaramouche. He does some heroic things, but the term might fit him because he doesn't believe what he's saying, he's just using a means to an end? I already compared him to Anne Elliot, so check out that post for more about him.

Movie/TV show: Charlie Babbitt from Rain Man (1988). He's a jerk, he's selfish, he's greedy, and to top it all off he's kidnapped his brother. Then he grows and goes through some character development and does unexpected things so that I was cheering for him.


7. The Best Friends Of All

Book: Betsy and Tacy. Tacy is bashful (sorry, I will never get over that being the one word used to describe her) but not around Betsy! They trust each other and will do anything for each other. Even skipping school, kind of.

Movie/TV show: My dudes Arjun, Kabir, and Imran from Zindagi na Milegi Dobara (2011)! They have their issues (especially two of them have beef with each other) but they work through it (with Kabir's help of being the peacemaker) and I love them. 


8. Best Villain To Hate

Book: The Snow Queen from Ophelia and the Marvelous Boy! She is horrible to the sweet Marvelous Boy and I just want to keep him safe.

Movie/TV show: Velma Von Tussle from Hairspray (2007). She's HORRIBLE. Yes, I guess the word I use to describe villains is horrible as I've used it for both these gals, but it's true!


9. Award for Best vs. Worst YA Parents

I don't really read enough YA to say, so we're just going with parents in general. And having four seems like a lot, so I'll have one from a movie/show and one from a book.

Best: (Book) Peter and Kira from Beartown. This book in and of itself can capture such a spectrum from best to worst for parenting, and in addition to being amazing parents, Peter and Kira are now one of my favorite couples of all time. They go through absolutely horrible things and have to figure out how to keep their family together and how to feel whole again.

Worst: (Movie/TV show) Do Min-Ik's mother from The Secret Life of My Secretary (2019). Her son isn't really her son, but he loves her and they act like they are related and all Min-Ik wants in life is to be loved by her. Early on there's this moment where the mother is telling him who he should date (for mergers in the company) and he asks, "If I do this, will you accept me as your own?" and she callously replies: "Her family will, at least." CRUEL.


10. Ship Of All Ships In 2025

Book: I'm really struggling with this one, now that I've already used Peter and Kira. But they don't even really qualify as a ship because they got together long before the book started. 

Aaaaaaaaaand, I've got nothing that I haven't already used, which is pretty sad. But, I do complain every time I read romances, so maybe it should be expected. I have to dip into my rereads from last year, so in that case it would be my All the Crooked Saints couples. Forever and ever, Beatriz and Pete. Forever and ever, Marisita and Daniel. *hugs them*

Movie/TV show: Let's see how many times I can get away with talking about k-dramas...I'm giving this award to my DARLING Woo Young-Woo and Lee Jun-ho from Extraordinary Attorney Woo (2022). Just thinking about them I want to CRY because it's the cutest of all cute things and ACK. I can't. I watched most of this series in 2024, but in the three episodes that I watched in 2025 I cried several times just looking at Jun-ho's face. Real, body shaking, sobbing, tears. 

Find yourself a person who will listen to you talk as much as Jun-ho will listen to Young-Woo talk about whales. 

SOULMATES

11. Most Precious Must Be Protected

Book: Poppet and Widget from The Night Circus! I ADORE these twins and would do anything for them. They have premonitions that make them worried and it makes me say OH BABIES and just want to feed them hot chocolate and treats and keep them away from it all.

Movie/TV show: Pugsley Addams from Wednesday is a sweetie and I need him to be more careful because as it is, he doesn't think things through. He himself may not be the most precious from everything I watched, but he's definitely the one who most needs to be protected. HE JUST WANTS A FRIEND. And baby doesn't realize that a zombie is not an ideal friend. I want him and Agnes to become BFFs. Is that too much to ask? And she's got her head on her shoulders better than he does, so she can help protect him, too.


12. Honestly Surprised You’re Still Alive

Book: Sophie Foster from Legacy, book 8 of Keeper of the Lost Cities. The girl just goes through a lot, and it's amazing that she's made it this far, what with multiple near-death experiences in every book. Book 10 hasn't come out yet, so I can still be worried for her.

Movie/TV Show: Barry Allen from The Flash. I'm only 2 seasons in with 7 to go and I have no clue how Barry has lasted this long. I get it, he has supernatural recuperation skills, but dude. He basically breaks bones every day of his life and I just feel bad for the poor guy. And I'm fairly sure it's just going to get worse as the seasons go on.


13. Award For Making the Worst Decisions

Book: Poor Zoey from The Forgotten Magic of Zoey Turner. I relate to her, she's really trying to make her life better, but she does that in ways that hurt other people. She just needs a hug and a cupcake and someone to read her stories.

Movie/TV show: All of the characters in The Mummy (1999). I feel like banging my head against a sarcophagus watching them do things that they were told not to do. Like going back to the creepy haunted place. Or leaving each other alone when they are being hunted by supernatural beings. Come on, guys!

This was a valid reaction, though.

14. Most In Need Of A Nap

Book: Poly from Spindle. I know, she's been asleep for a couple of hundred years, but that wasn't good sleep. And besides, I get tired just reading about whatever Luck is doing without explanations, so I can only imagine being around him would want me to have a nap, too.

Movie/TV show: Brian from The Breakfast Club (1985). Poor baby is just trying to get good grades and escape from the pressure and is instead put into detention. And made to do all the work, which is totally unfair.

Honey, if you drink that Coke you won't be able to take a nap.


15. Want To Read/Watch More About You

Book: I want more of all of the stories in The Chronicles of Harris Burdick. More new stories, continuations to the old stories, all of it.

Movie/TV show: This is going to be a hot take, but I wanted more of Roger's mother, Mrs. Thornhill in North by Northwest (1959). I was vibing with that movie at the beginning when it was Roger trying to prove to his mother that he's not crazy and I wanted that to be the whole movie. I don't need Eve or anyone else, I wanted just the two Thornhills on a wild adventure. 



And with that, the awards have all been given out! Do you know any of these characters? How well do you think they deserve these awards? How would you describe best villains? Any one have any good k-drama suggestions (I just finished a new one and I need help)? Who are your favorite sassy characters?

Thank you for reading!

Chloe the MovieCritic

Wednesday, December 3, 2025

Answers to the Guess Movie from the Drawing Game INKtober 2025 edition! // comments, explanations, and running the numbers

I don't have the skills to make my drawings come to life...yet.

Hi, friends!

As promised, here are the answers to my Guess the Movie from the Drawing Game! If you want to quickly go see the original drawings for yourself before you see the comparisons, click HERE.

Thank you so much to everyone who guessed! Scores will be at the bottom, but for now drawings guessed correctly by everyone have an asterisk next to them.

 

Day 1: 
Prompt: Mustache. Film: Murder on the Orient Express (2017)

Blue got a half point for this for knowing that it was Hercule Poirot! Who else would have such an excellent mustache? 

Day 2*: 

Prompt: Weave. Film: Tangled (2010)




Day 3: 

Prompt: Crown. TV Show: Merlin (2008-12)

    

This one reminds me a bit of Napoleon Dynamite, because the hair took me an embarrassingly long time. So I've been going around saying:


Day 4: 

Prompt: Murky. Film: Star Wars: The Last Jedi (2017)


After this I realized I could just write the prompt on the page a different way. I talked about this scene HERE.


Day 5: 

Prompt: Deer. Film: Dungeons & Dragons: Honor Among Thieves (2023)


This is from Doric's scouting mission where she had to escape quickly. And it's set up earlier HERE, continued HERE, then it's paid off HERE.

Holga: "So she did become a deer!"

Edgin: "Only at the very end!" 

I just find it a great running gag so that's what I decided to draw.


Day 6: 

Prompt: Pierce. Film: The Parent Trap (1998)


This is a very strange way to fill this prompt, but I didn't want to draw anyone dying.

Day 7*: 

Prompt: Starfish. Film: Finding Nemo (2003)



Day 8: 

Prompt: Reckless. Film: The Great Waldo Pepper (1975)

Well done to Phyl for figuring this one out with my clue!

What happened here is for some reason I decided to start with the wheels, and I drew it in the middle of the page. Then I realized that I was not going to have enough room for Waldo actually doing the reckless act, so everything got a little smushed.


Day 9: 

Prompt: Heavy. Film: Les Miserables (2012)

I couldn't get the facial expression quite right, but then I also realized I wasn't using my magic pen, so I'll blame it on that.

This was the first in a pattern I got stuck in, dubbed "guys holding stuff."


Day 10*: 
Prompt: Sweep. Film: Mary Poppins (1964)

Guys holding stuff #2.


Day 11*: 

Prompt: Sting. Films: The Lord of the Rings (2001-2003)

Guys holding stuff #3.

Does it look like Frodo? No. But I still think he looks cute, haha! Even my sister who hasn't seen the series knew it was him, so I'm calling that a win.



Day 12*: 

Prompt: Shredded. Film: Back to the Future (1985)


Guys holding stuff #4. But people did a really good job of guessing "guys holding stuff" so maybe I should continue the theme!

This one is my favorite! <3 I just had so much fun drawing Marty's jacket. And face.


Day 13: 

Prompt: Drink. Film: Barbie (2023)

I finally was able to break out of the "guys holding stuff" and make it "dolls holding stuff!" ...So does that make this Guys and Dolls...?


Day 14: 

Prompt: Trunk. TV Show: A Series of Unfortunate Events (2017-19)

This is immediately what I thought of, which tells you how much of a grasp Lemony Snicket has on my life. I apologize heartily to Hugo for giving him such a long arm. And to Collette for whatever happened when I was drawing her face. And to Kevin, for not really giving him a face...


Day 15: 

Prompt: Ragged. Film: Cinderella (2015)

This one had a few things going on. First, I was annoyed that it was so close to the "shredded" prompt because it took me FOREVER to think of that one. So I decided to go with my original idea for that one, and then when I was rewatching the scene I realized the word "ragged" actually is used to describe the character. However, in the reference picture I used the character looked so happy, it made everything ironic. Then I remembered the line "No one's ever painted my portrait" and decided it was about time. XD

It reminds me of another scene in the movie itself:

Honestly I think Anastasia's drawing skills are better than mine.


Day 16*: 
Prompt: Blunder. Films: Pirates of the Caribbean (2003-17)


Has there ever been a bad picture of Captain Jack Sparrow?

This is probably one of my strangest answers to a prompt, but I believe that type of gun is called a blunderbuss? 


Day 17: 

Prompt: Ornate. Film: The Princess Bride (1987)


By the time I actually got to the "ornate" part, I was a little tired of drawing, hence the squiggly lines.

Day 18: 

Prompt: Deal. TV Show: Doom at Your Service (2021)

What's better than making a deal with the devil? Making a deal with Doom himself.

I fully admit that I am obsessed with K-Dramas. This one is fourth in my ranking so far.


Day 19: 

Prompt: Arctic. Film: The Golden Compass (2008)

Should we talk about the nose? I don't know what happened, but it's like Flynn Rider.



Day 20: 

Prompt: Rivals. Film: Descendants 2 (2017).

Even though I drew Uma twice, I just can't get the angle of her head right. One would think I'd never studied angles even though that's far from the truth...


Day 21: 

Prompt: Blast. Film: Nancy Drew (2007)

 

Any time I just got to stab my pen against the paper a lot was a good day. That's the secret behind my technique.


Day 22*: 

Prompt: Button. Film: Penelope (2006)

I adore this coat and scarf, so of course I was going to have to draw it eventually.


Day 23*: 

Prompt: Firefly. Film: The Princess and the Frog (2009).

Usually these drawings took me around 40 minutes, but this one was about 5 because I wanted to be able to say I drew it quickly. So enjoy this version of Ray with a slightly wonky smile!


Day 24: 

Prompt: Rowdy. Film: It's a Wonderful Life (1946)

Proportions? What are proportions? I just really wanted to draw the guy doing the little cannonball. And it was fun to do something different than what I usually did!


Day 25: 

Prompt: Inferno. TV Show: Geek Girl (2024-present)

She does not have the right kind of intensity that I was going for, but I had a ton of fun doing Harriet's hair.


Day 26: 

Prompt: Puzzling. Film: Call Northside 777 (1948)

It was pointed out to me that my drawing looks more like Lauren Bacall than Helen Walker and now I can't unsee it. And I'm not surprised that I ended up drawing Jimmy Stewart eventually, though I don't think I'd ever seen anyone doing a puzzle in a film before?

Day 27: 

Prompt: Onion. Film: Glass Onion (2022).


Who's excited for Wake Up Dead Men??


Day 28: 

Prompt: Skeletal. Film: The Book of Life (2014)

The skeleton hands were WAY too much fun to draw, even if they are wildly different sizes.


Day 29: 

Prompt: Lesson. Film: The Count of Monte Cristo (2002).

If I keep the practice up, maybe I'll be able to draw as quickly as the priest can move his hands under water drops.


Day 30: 

Prompt: Vacant. Film: Charade (1963).

In which I learned how shaky my hands are when I try to draw straight lines.


Day 31: 

Prompt: Award. TV Show: Wednesday (2022-present)

I see this as being only the start of me drawing many pictures of Wednesday. Maybe one for every episode...


Scores:

Fiona Cate: 23 (as my sister, she's VERY familiar with what I watch!)

Blue: 12.5

Phyl: 11

Thank you so much for your brilliant guesses! You all did AMAZINGLY.


Stats:

Hands drawn in detail: 31. Ironic, because I'm terrible at hands yet kept finding images to fill the prompts that featured hands. 

Guys holding stuff: 11

Mystery-themed: 5

Animated inspiration: 4

Guitars: 2. This feels like that John Mulaney quote of "if I had a nickel..."

Including food or drink: 2

Fire: 2


How do you think I did? Which is your favorite? Which picture do you think is the most accurate to the reference photo? Which one is most stylized?

Thanks for viewing my art! I hope this has inspired you all to try something new, like this was for me! Have a great start to December!


Chloe the MovieCritic

Friday, May 30, 2025

Ranking the 25 Films I Watched Throughout My Hispanic Studies Classes

Noche de fuego (2021)

¡Buenos días, todos!

I hope you're all doing well! It's been a hot minute since I posted because I've been really busy in school. That's all over now as I recently graduated with a minor in Hispanic Studies (I have a post on my major coming up, but it's taking a while)! 

To celebrate, I thought I'd commemorate all of the films I watched for my various Hispanic Studies classes! Which...was a lot. I mean, one class was specifically a Hispanic film class (where we watched 13 movies), but the other 12 were sprinkled around. There are so many other stories I could talk about (having taken Hispanic Theater and Hispanic Literature classes), but because this is Movies Meet Their Match I thought I'd start with films. Therefore, I'm going be ranking all 25 of the movies that I watched! Which, if you've been around for a while, you might have been wondering about from my yearly wrap-ups.

Even though I was trying to keep it short by only talking movies, this post is still ENORMOUS. So feel free to skim and skip around based on what sounds interesting to you!

How this will work: I'll provide a brief summary (written by yours truly so not all that official, haha.) and then thoughts on why it is ranked where it is.

This was harder than I thought. I have my strong dislikes and my ABSOLUTELY LOVE, but in the middle they're mostly on the same level.

All of these movies have varying levels of content, but I'm mostly going to be talking about what the story's significance was to me. On some, the content is why it is so low in the ranking which I will mention, but that's usually tied into other aspects. If you have any questions about the age ranges for any of these movies feel free to ask and I will provide details!


25. El conde [English title: The Count] (2023)

Premise: Chile's dictator Augusto Pinochet is actually a vampire. This has lead him to live longer so he's faked his death a few times. Now he doesn't want to live so his family is waiting for him to die and to get on with it his children hire a nun to exorcise him.

Hated it. Most of my class hated the gore and violence, but I was most upset about the assault. Yes, but it's probably shown as a bad thing...not really. This woman is raped but it's all set up as she gave in to the seducing eventually, with this whole ecstasy sequence and I was over it. I was very triggered. 

I think this has some creative ideas (Pinochet as a vampire! Who are other historical "vampires"?), but I did not like the plot at all. So much so that I stopped watching it and was doing sudoku while it played in the background. Just now I had to look up what actually happened to write the summary (thanks Wikipedia for the stark reminder that YEP, STILL HATE IT). My sisters and I joke about repressing things (it's a movie reference but I'm blanking right now on what movie...) but it's true. I do not want to think about this one, so moving on.


24. Memorias del subdesarrollo [English title: Memories of Underdevelopment] (1968)

Premise: While many left Cuba between the Revolution and the Cuban Missile Crisis, wealthy writer Sergio stayed. This collection of his memories is his disgust at the mentality and cultures of the people there in contrast with actual footage of things that happened.

I get the point now, but I feel like there should be a huge disclaimer of YOU'RE NOT SUPPOSED TO LIKE THE MAIN CHARACTER. He is one of the most despicable people ever. And that's the point. Because he's supposedly lamenting all of these people who are "underdeveloped," but it is HIS memories that we're seeing, so he's the one who is "underdeveloped." Maybe that is a spoiler. But I feel you can appreciate it better if you know that going in.

I mean, Sergio is wanting to emulate Hemingway, if that tells you anything.

This is the only movie I've seen from Cuba, I think? So I appreciate that. This is a critique in so many ways, I just don't think I was ready for it. 


23. El buen patron [English title: The Good Boss] (2021)

Premise: Julio Blanco is owner of a prestigious scale factory. He is known in the business world as being a good boss, but in reality he is cruel. In order to gain awards, he starts getting involved in the lives of his employees. Meanwhile, someone he fired is fed up and wants to put the scales back in balance.

I watched this for extra credit. And, again, a character that you're not supposed to like is the main person we're watching. Which is my least favorite plot device. I am never going to get invested if I don't have a reason to root for the character! It has made me say, "That's Javier Bardem!" every single time I now see Javier Bardem in something. This was the first time I went to a cool independent movie theater in my college town, so I appreciated the excuse to go there.


22. Madres paralelas [English title: Parallel Mothers] (2021) 

Premise: Janis is a photographer who after getting involved with an archaeologist decides to raise her baby on her own. She bonds with a young girl who gives birth the same day she does, but after Arturo denies being the child's father, this leads to uncovering more secrets that Janis does everything in her power to keep buried.

I had such a hard time summarizing this because the things that are important to me in this film aren't the plot, but side stories that I wish HAD been the plot. This movie was made under a time-crunch because it was talking about issues happening in Spain at the time (finding the bodies of people who disappeared during the Civil War), but...it needs more editing. I was so bored watching this that I kept zoning out and instead thinking about how to re-cut it. Because do we need that many sex scenes? No. 

This has an interesting perspective on loss and hanging on to the past. I'd guessed what was going to happen through my theological studies, whether that was purposefully put in there or not.

An interesting one for the LGBTQ+ community, but I was put off by the age difference because I think Ana was still a minor? Also the adultery between Janis and Arturo is not what I'm here for. 


21. Retablo (2017)

Premise: Segundo is apprentice to his father who makes elaborate retablos--decorative boxes that display a scene inside them. His father is much revered for his artistry, but Segundo senses tensions. The stories that are on display are not the only stories being told and when Segundo finds a secret retablo he is conflicted on where his loyalties and love lies.

This one is important, but it's rough. I'd heard about it a lot from my professor before watching it and had it hyped up, so much that I thought it was about something else. The LGBTQ+ aspect is important, but I don't think it's that beneficial to the community. However, just because it isn't positive doesn't mean it's not realistic, and this looks at rural life, being trapped in tradition, and facing cruelty. I don't support all of the decisions here, but I think we can agree the society sets the characters up for failure.

My favorite part of this movie was the discussion we had in class where one of my classmates asked "What we would do if we were Segundo?" An essential question for everyone to grapple with who watches this.


20. Ixcanul (2015)

Premise: Maria is tired of her life below the mountain growing coffee---where she is about to be married off---and yearns to go North. Desperate to escape, she comes up with a plan where the boy she likes will take her to the U.S. when he runs away. Betrayed and now left with consequences, her mother asks for help from the gods within Ixcanul, the volcano where she lives.

The ending was so solid, really connecting so many elements from the beginning. I just HATED the beginning. The whole first half. I wish that we had started from half-way through? I get that there are supposedly important elements for the story, but I just don't think that we needed to see it on screen and we could've gotten exposition. I'd been so annoyed at this movie that I had been making lists on my computer while "watching" it until the middle. Then there was pay-off after pay-off that it was like watching a train crash but the story couldn't go anywhere else. And, ironically, that's when I couldn't tear my eyes off the screen.

The dynamic between Maria and her mother was so fascinating because Maria's mother will do absolutely everything for her daughter, but usually makes a decision without Maria's input. You can see that they love each other, but there are in a cycle of tensions that they continue to create. It also was really cool to hear the language Kaqchikel.


19. Neruda (2016)

Premise: Politician and poet Pablo Neruda is under warrant for arrest but no one can find him. Policeman Óscar Peluchonneau is assigned to find him and to do that decides to study Neruda's life and poetry. As Neruda continually evades him, Peluchonneau despairs that this is just like a story and struggles to break the ending that he sees coming for him.

This one was well-made and a different style than I'm used to seeing in Hispanic films (noir! We had a whole discussion about that. Even though I was the only one of my classmates who had watched a noir movie before. Old movies for the win!), but I just really don't like the figure Neruda. I was rooting more for Gael García Bernal (as you do). It was interesting to see how other people reacted to Neruda, even though I was screaming at the screen at one point that they shouldn't be.

Along with being noir, it is also a psychological drama in Peluchonneau's mind. The poor dear.


18. Todo sobre mi madre [English title: All About My Mother] (1999)

Premise: Manuela is a transplant surgeon in Madrid. After a surgery she never wanted to see, all hope for her future is gone. She decides to go back to the past and fulfill her son's wish of contacting his father. Through that, in Barcelona she finds an old friend and relives the past through helping a woman who is pregnant by her son's father.

This is an important movie (it's on 1001 Movies You Must See Before You Die list, along with Memorias del subdesarrollo.), it just isn't my favorite. I get the cultural significance, but I don't think I'd want to watch it again because, even though it was a small part of the plot, the transplants hit me really hard as I know people who might have to be on a transplant list some day. I feel like I was missing something from it because I haven't seen All About Eve (where the title comes from) or A Streetcar Named Desire, which are big parts of the plot. Who knows, maybe I'll watch it again after I see those respective films. 

It's commentary on the AIDS/HIV epidemic which was so huge but because it was before I was born I feel like people tend to hush it up? People also tend to act as if the LGBTQ+ community is a new thing, but it really isn't, and the presence of trans characters in this film shows part of that. I would SO MUCH prefer this to be the token LBGTQ+ movie than Rocky Horror. This gives a compassionate look at these characters while also showing what it's like to live in a society where your options are limited. Manuela is such a kind-hearted character and I admire her so much.

I cried just at seeing Barcelona because at the time I was watching this I knew someone there.  


17. Pájaros de verano [English title: Birds of Passage] (2018)

Premise: Zaida and Rapayet go through the rituals of becoming a couple, but when Rapayet becomes involved in drug trafficking, and the traditional values and rituals are put to the side.

This one is a cautionary tale. In my class I remember talking about the similarities between this and The Odyssey, but when I went back through the slides it only had the question of "how is it similar?" and none of the answers. And I don't remember the answers. Or much of the plot, as is shown by my very weak description of the premise. I also don't really remember why it is titled the way it is (...I think it was the dance that Zaida did?). All in all, of all the movies on this list, I remember this one the least, which is why it's low in the ranking. So I probably should watch it again. 

It's about losing culture which is important because so often the stereotype of Hispanic countries is about gangs, but that's stepping away from what the culture actually is, which is the travesty.


16. Ya no estoy aquí [English title: I Am No Longer Here] (2020)


Premise: Ulises defines his life by his Kolombia style. Through a split timeline, the film follows Ulises's struggles for work in NYC as well as his old life in Mexico. From dancing in subways to sleeping on rooftops, Ulises feels the loneliness of not having his community---Los Terkos---all while trying to not get sent back home, even though that's where he longs to go.

I think about this one a lot. About Kolombia and cumbia and style and what it means to dance. This movie looks at how gangs aren't always bad, but when kids are in a space surrounded by violence then that forces them to become the biggest oppressors. This had the potential for exactly the kind of story I adore, but then took a different turn. Not that the result was bad, I just was disappointed from where I thought it was going. But it did it's job in making me think about it from time to time.

This was cool to watch because I'd just been to New York, so getting the perspective of the Hispanic culture there was a different angle than I'd just seen, but familiar at the same time. It's also a critique on the U.S. and how it is not as accepting as those moving there would hope for it to be.


15. Los reyes del mundo [English title: Kings of the World] (2022)

Premise: A group of boys have been living on the streets of Medellín, and though only two of them are related, the whole group is family. When Rá learns he can get his grandmother's property---seized by the years ago by the government but is now being returned---the boys start their way across the country to try to find home.

This one is so stinking rough. It's about kids who have no supervision and do whatever they want; one's heart breaks at the loneliness because even though they have each other, they don't have a future. They imagine a utopian world of white horses where they are the kings, but they have to deal with the dangers of this world, first, and the government and systems are set-up to make them fail. This is a kind of a world where the only kindness they receive is at a brothel.

The punches that this delivers were UNCALLED FOR. I'm still upset. The pobrecitos. For some reason the Columbian accent was harder for me to understand which I was very surprised about. I liked Laura Mora Ortega's directing and would love to watch more of her work (which reminds me to get started on the show Cien años de soledad...).


14. Roma (2018)

Premise: Cleo works for a wealthy family in the Roma neighborhood in Mexico City. The film follows her struggles: facing judgement for being Mixtec, caring for children while dealing with her unhappy employer, and her own unsatisfying relationship.

AKA the one that won so many awards. When I watched this I was so confused, as was my entire class. Once we had our discussion I think I understand it more? It is culturally significant (again, so many awards!) but it's not my favorite. Don't get me wrong, I think it deserved the awards. I just also think that there are many on this list that ALSO deserve awards but didn't get the attention because they weren't directed by Alfonso Cuarón.

What is my favorite, is the Billie Eilish song about it called "When I Was Older." Cannot recommend enough. 

If it wasn't apparent before this, I should say for those of you who haven't watched Hispanic films, the plot structure is very different than most Hollywood films. There are not the typical plot points, therefore the premise is difficult to describe. When we watched this for class I remember some people struggling with it being black and white, but my old movie watching came in handy and I was not put off at all.


13. Bardo, falsa crónica de unas cuantas verdades [English title: Bardo: False Chronicle of A Handful of Truths] (2022)

Premise: Silverio is a writer who splits his time between the U.S. and Mexico. The film follows bizarre moments in Silverio's life and imagination that walk through the history of Mexico and current issues as well as the history of Silverio and his wife as they deal with the grief of losing a child many years ago.

This one is teetering on the line of "okay" and "I LOVE IT." It's so weird, guys. And some of the segments are a little too weird for me, like the child who has Silverio's head. And the most disturbing sex scene of all time. But the rest of it?? The airport scene lives rent-free in my head and is one of my favorite things ever. "America is a continent not a country, *starts swearing*" Say it louder for the people in the back! I also love the ties to Julio Cortazar's "Axolotl." And the theatricality of Mexico's history that is so tongue-in-cheek. And the most realistic flying dream of all time (the cinematography!! Totally should've won an Oscar).

So yeah, I'd actually really recommend this one, and I'm going to firmly say now that it is in the "I LOVE IT" camp. Just be prepared (especially because the sex scene has no build-up. I get the symbolism, I just have no desire to watch it.)

I was also taking a Hispanic history class at the same time and seeing all of the Hernán Cortez references I felt very knowledgable.


12. Güeros (2014)

Premise: After some trouble, Tomás goes to live with his brother Sombra in Mexico City. Tomás's idol is Epigmenio Cruz who recorded the song on the tape that Tomás carries with him everywhere. Sombra, his roommate, and Tomás set out across the city, navigating zoos and student uprising to try to find Epigmenio Cruz. 

This one seems so casual compared to all of the others. But it's also the exact kind of story that I love? Sibling roadtrip? Not leaving town but discovering more about yourself? Looking for something that's lost? I don't know what it is. Besides the close up making-out that takes way too long (Chloe the editor at work again), I have no complaints about this movie. It's a vibe.

The thing that I love about these movies, too, is that there is so much to discuss because the answers aren't given. Things are left up in the air. In my Hispanic Film class, for each of the 13 films we spent two 75-minute class periods on it. THAT'S how much there is to say about these, but even then it isn't always enough. Like with this one. I would love to delve into each and every spot that they stop. So I wrote a paper that included this film. The only reasonable solution, you know.


11. Lo que arde [English title: Fire Will Come] (2019)

Premise: Benedicta's son, Amador, is recently released from prison. In the wilds of Spain, while it is away from prying eyes, everyone is still suspicious of Amador due to his history of arson.

I was in a bit of a fever dream watching this because it was 8AM and I had been up late coding. But I vibed with it so hard, it made me write a blog post. So even though I don't really remember much about it (hence the short description), I remember loving the colors and the cinematography. I also remember not understanding what they were saying and was thinking that I was just tired, but I feel justified in my confusion because according to Wikipedia this film is in Galician, not Spanish. 

Meanwhile all of my classmates hated it and I don't get why. It follows the idea that if you put someone in a box, labelling them and refusing to see who they really are, eventually they will succumb to that label.


10. La llorona (2019)

Premise: After a court case against Enrique Monteverde that ended in his favor, him and his family are stuck inside their house due to the protestors outside. It's no better inside as mysterious and supernatural appearances of water start to occur in his house. What he doesn't know is that the newly hired maid is not all that she seems.

If you're going to give me horror, my number one rule is that it has to mean something; it can't just be for the purpose of scaring people. And this does exactly that. It asks questions such as: what is justice? Who's telling the truth? What does it mean to trust people? All while being deliciously creepy in a poignant way of Guatemalan myths. 

If you've seen the movie Coco (2017), then you've heard one song about the pain of La llorona (which is one of my FAVORITE songs of the entire movie). If you are interested in a more creepy aspect of that same pain, then this film is for you. I also love the cameo of Rigoberta Menchu. Which is my reminder to read the book about her life.


9. Noche de fuego [English title: Prayers for the Stolen] (2021)

Premise: Ana lives with her mother in a small town, where they work harvesting poppy seeds. In the world of drug trafficking and more, Ana's whole childhood has had the fear that something bad is going to happen, but she's got her friends by her side, and with the words of her teacher she dreams of a better world.

The reason the English title is the most different than the Spanish title is because it was originally a book written in English called Prayers for the Stolen - by Jennifer Clement. Based on how much this story has my heart, I should read the book.

This one is very similar to Los pajaros de verano, but I think it's better done. Maybe because it's told from the perspective of a child? The fear that this movie is absolutely soaked in is heartbreaking, but the friendships between the girls are what carry it. I did a whole presentation about this movie and therefore I love it.


8. The Boy from Medellín (2020)

Premise: Musician J. Balvin prepares for a huge concert in his hometown of Medellín, Colombia, and contemplates whether he should address the politics of the country.

This is a documentary and it is the fault of this that I am always listening to "Mi Gente" and "Obra de arte" as performed by J. Balvin. This is such an interesting look at what it means to be a celebrity and when to use your voice. Because whether you speak up or you hold back, people are going to be angry at you. So what do you do?

This one is so high in my ranking because when I finished watching it I was in a really positive mood. Which isn't usually what happens with these movies, haha! I mean, you can't listen to "Mi Gente" and "Obra de arte" without smiling.


7. El abrazo de la serpiente [English title: The Embrace of the Serpent] (2015)

Premise: Just as a river splits into many different branches, this story splits into the different branches of Karamakate's life, both past and present. Past: Theo seeks Karamakate out as a guide to explore. Present: Evan seeks Karamakate out to help him find a sacred plant. Karamakate can't remember what happened last time, and goes to find his memory.

I originally thought this one was interesting, that's all. Now it's low-key become my "Roman empire." I think about it all the time, not only in my Hispanic studies classes but in theology, too. I love that this has over 10 languages. I love the double timelines. I love the commentary on "explorers" and "scientists" and what it means to protect.

The one thing I don't love so much is the ending because I don't quite get it? My professor was really excited about explaining the parallels between this and 2001: A Space Odyssey (1968), but I hate that movie, so I wasn't buying it. All in all, the environmental commentary is excellent and I could be here all day talking about it.


6. Argentina, 1985 (2020)

Premise: Lawyers Julio César Strassera and Luis Moreno Ocampo take on a huge court case: a trial against the military dictatorship of Jorge Rafael Videla that ended two years ago. The idea that the government can get rid of anyone they don't like---"los desaparecidos" (the disappeared ones)---is a threat hanging over both Julio and Luis's lives.

If there was ever a movie whose setting FELT like a year, it's this. This feels like 1985. I mean, I wasn't around to see 1985, but that's what I think it felt like. 

I think I mention this every time I talk about a court drama movie, but I always expect it to be boring? Yet it never is. What sold this movie is the relationships. Julio has such a different dynamic with each member of his family, and I loved them all, but especially the quiet curiosity of his son. This kind of has a real-world-yet-Avengers-esque aspect of "let's build a team" that I LOVE. The clips from the actual trial, too, are incorporated so well. The fact that it blends together so well is another testament to how this movie feels straight out of 1985.


5. La teta asustada [English title: The Milk of Sorrow] (2009)

Premise: A woman suffered horrendous abuse from the invasion of a guerrilla group, and her pain transferred to her daughter Fausta through the very milk fed to her. Fausta is now processing her grief and fear, coping to protect herself yet causing different health issues. She starts working for a famous pianist to earn enough to bury her mother.

If I were to describe this as briefly as possible, it would only take two words: GENERATIONAL TRAUMA. This is seeped in magical realism that is looking at how to deal with that trauma. And it was kind of my first encounter with magical realism, not in the form of horror like La llorona. My classmates and I, separately, all had to pause and say, "wait a minute, a potato??" In the movie's world it is not considered strange but accepted as part of the magic.

I lead a class discussion in this (I think I went waaaaaaay over time) about self-protection vs. self-harm. Fausta needs a hug more than anything, but she also needs a way to not be afraid, and one's heart just aches for her throughout the movie.


4. No (2012)

Premise: In order to prove to international powers that Chile is not under a dictatorship, the people are getting to vote to answer the question, "Should Pinochet remain in power?" The two sides, "YES" and "NO", will each get a TV campaign to answer the question. Many are despondent, thinking that this is a formality and no matter the results, "YES" will win, but René is hired to run the "NO" campaign and is determined to convince the people otherwise.

In contrast to El Conde---also directed by Pablo Larraín about Chile and Pinochet---it's notable that I love this one so much. I think a factor is because we never really see Pinochet and instead are looking at the basic lives of the people who have been hurt by him. This uses a different political tactic than one usually sees: hope. It's genius and such a fascinating look at psychology and sociology.

And as a bonus, René's relationship with his son is precious. And it's Gael Garcia Bernal, so who are we kidding.


3. Volver (2006)

Premise: Raimunda has a lot going on: the consequences of her daughter's self-defense, running her friend's restaurant, her aunt's funeral, and on top of it all, a return from the dead. Alone, she tries to do everything for her daughter that her family didn't do for her.

I can't geek out about this movie enough. I was deliberately mislead to what it was about and that kind of made my experience all the better. It's about generational trauma and trying to stop it while also seeing what returns (the verb "volver"). I loved the Don Quijote references.

Penelope Cruz is STUNNING. I love how this focuses on the role of women, from opening with cleaning tombstones to running a restaurant, to grieving, to protecting one's family. I just dig this so hard. I go back and forth on whether I like No or Volver better, but today I'm in a Volver mood.


2. Los lobos [English title: The Wolves] (2019)

Premise: Lucia and her two sons have just come to the U.S.. Lucia does not have money for childcare so she leaves Max and Leo alone while she works, and they amuse themselves with stories of unstoppable ninja wolves and the hope of going to Disneyland. However, the scariest dangers might not be the adventures of their imagination, but the real world.

MY BELOVED. *sobs* This was the first movie I ever watched for a Hispanic Studies course and I immediately fell in love. It's reality and story telling and immigration and trying to survive all while kids are hoping for Disneyland. It's so hard but I love it.

I think it also hits hard because my first Spanish teacher back in High School looked SO MUCH like the actress for Lucia.

If you are interested in watching any film from this list, for a first Hispanic film, please please please watch Los Lobos. I don't think I need to say anything if you watch this. You will understand.


1. La noche de 12 años [English title: A Twelve Year's Night] (2018)

Premise: From 1972-1985, Uruguay was under a dictatorship. While those who were under the government suffered, even more so did the men who were imprisoned for those 12 years. Of nine people who were hostages, this film looks at the captivity of three of them: José Mujica, Mauricio Rosencof and Eleuterio Fernández Huidobro.

I can't tell you how much I love this movie. I wrote a whole essay about it and could write more.

This is far from an easy film to watch, which is why I recommend the more light-hearted Los Lobos for people just starting with this genre. La noche de 12 años is chock-full of torture, both mental and physical. Yet that doesn't make it any less worthwhile, because the persistence of the main characters is what gives me hope in this world.

Loneliness. Memory. People being treated with the utmost cruelty and my heart screams out THIS IS WRONG. Regardless of what these people did. Watching these horrors has made me want to be a better person.

This movie is actually the reason that I'm writing this post. The characters represented in this movie were real people. And one of them, José Mujica, passed away a couple weeks ago. I admire his persistence and humility and am so honored that I got to see his story told through this film.

Over winter break, my sister and I were summarizing the movies we'd watched in 2024 (as you do), and I started talking about how disappointed I was in the movie cover for this masterpiece. The one that I have above is pretty good because the words look like cells of a prison, but I wanted that included more. So I redid the poster.

And I'm pretty happy with the result. But of course, I'll have to rewatch the movie to confirm this is accurate...which, giving myself another reason to watch it, may have been my goal all along.


WHEW. That was a lot. If you made it through this monster post, thank you! 

Have you ever watched a movie for a class (the best kind of homework, am I right?)? Have you seen any Hispanic films? Have you seen any of these movies? If not, which of these sounds most interesting to you? Which do you think would be your least favorite? Have you ever wanted to remake a movie poster? Do you dislike vampires as much as I do? I'd love to hear all of your thoughts!

Until next time, my friends!

Chloe the MovieCritic

"If you want a happy ending, that depends, of course, where you stop your story." -Orson Welles