"The book is a film that takes place in the mind of the reader." ~ Paulo Coelho

Thursday, February 11, 2021

Movie Review (& Defense Of): Little Women (2019)

Hello, everyone!

Today Iʼm reviewing for you one of the last movies that I saw in a theater. Back in the old days, remember? I first saw this on January 8th 2020. That sure seems like a long time ago! Since this film is based on a book and there are already several adaptations I would usually compare and contrast all of them. I will do that someday in one massive post, but today Iʼm going for something a little different. I hope you enjoy!

My guarantee: On ALL of my reviews there are NO spoilers unless I give you warning. This is spoiler free in its entirety! Through and through!


Little Women (2019):
Based on: Little Women - by Louisa May Alcott.
Set in the United States during and after the Civil War this film explores the family and relationships of four sisters. Jo is trying to sell stories to send money home to her family and we see how it all lead up to there through a split timeline. Broken hearts, fights, sickness, and more. Before all of this were four girls: Meg took care of people, Jo wrote, Beth played the piano, and Amy painted. The lives of the little women are constantly changing but at the base are they all who they were in the beginning? How do feelings grow and change with the world around them?
“Just because my dreams are different from yours doesnʼt mean theyʼre unimportant.” 
Genres:
Romance, Drama, Period Drama,
Length: approx. 135 minutes.
Script: 10, no bad words or swearing! The dialogue is so genuine, too.
ʻ“Iʼm no Shakespeare!”
“Thank goodness, we already had him.”ʼ
Crew: Directed by: Greta Gerwig. Written by: Greta Gerwig from the original story by Louisa May Alcott.
Starring:
Saoirse Ronan as Jo March.
Emma Watson as Meg March.
Florence Pugh as Amy March.
Eliza Scanlen as Beth March.
Laura Dern as Marmee March.
Timothée Chalamet as Laurie.
ʻ“Itʼs Laurie!”
“I know.”ʼ
James Norton as John Brooke.
Louis Garrel as Friedrich Bhaer.
Dash Barber as Fred Vaughn.
Meryl Streep as Aunt March.
Chris Cooper as Mr. Laurence.
Tracy Letts as Mr. Dashwood.
Bob Odenkirk as Father March.
Jayne Houdyshell as Hannah.
Hadley Robinson as Sallie Gardiner Moffat. 
Maryann Plunkett as Mrs. Kirke.
Sasha Frolova as Mrs. Hummel.
Abby Quinn as Annie Moffat.
Lilly Englert as Kate Vaughn.
Costumes: 10, these are gorgeous! The design, colors, everything about them are so lovely and fitting to each of the characters.
Costumes designed by: Jacqueline Durran.
My favorite: Amyʼs blue!
Cinematography:
10. An important part of this adaptation of Little Women and how it stands out from others is the way it was filmed. As I mentioned in the premise, it has a broken timeline. It switches back and forth between the present day and the past. This is a big complaint of this movie as people say theyʼre confused or that you basically need to have the story already memorized to understand what was happening. Iʼll go into this more later, but I want to point out that I LOVE THIS. I thought it really made it unique from any of version. Maybe youʼre worried now because you want to see it but donʼt know the story or it has been awhile. Have no fear, Iʼm here to help! It uses a format that happens so naturally it can be hard to notice, but once you are looking for it you will never be confused about what is happening: THE LIGHTING. Thatʼs right, itʼs as easy as that! Any scene that is happening in the PRESENT has a blue/gray lighting. Any scene that was in the PAST has a soft yellow/golden lighting. I understand if you donʼt like it, my mom stopped watching after half an hour, but I ask that you try this technique. After explaining it to my dad I would then tell him whenever the lighting switched and he didnʼt have any further troubles.
Example 1: PAST AND GOLDEN LIGHTING:
Example 2: PRESENT AND GREY LIGHTING:
Cinematography by:
Yorick Le Saux.
Music: 8, itʼs sweet and works well, but not particularly memorable. I wouldnʼt change it, though!
Music by: Alexandre Desplat.
Quotability: 8, not the most quotable of all time but there are good lines.
“Well, I believe we have some power over who we love.”
Oscars won: 1, Best Costume Design. It was nominated for 5 others, though! Including Best Picture, Best Actress (Saoirse Ronan), and Best Supporting Actress (Florence Pugh).
Content:
10, I canʼt think of any content that would be objectionable to anyone. There is some mild drinking, I suppose, once in a pub type establishment (I believe itʼs called a beer hall?), and once at a different party which is immediately reprimanded. Both are very short scenes. Sad things like sickness happen, but not something to shy away from.
Originality: 10, this gets a full score because it took a timeless tale and made it different but in a way that reflects the original work. Okay, I give up, I was trying to be eloquent but why Iʼm really giving it this score is because of the cinematography.
Good For: Period drama lovers, fans of the book (with caution, more on that later), families, sisters.
Age Range:
Perfect for any and all ages!
Overall Score: 9.5!
Worth watching?: Gorgeous costumes, stunning cinematography, characters who walked off of the pages, moments that will break your heart and mend you again. Yes, absolutely in every way.
Will I watch again?:
Certainly! I last saw it in August but already want to relive it. This will be a yearly occurence for me, if not more.
“Jo stays in the back so we canʼt see her cry.” (Do I feel called out? Yes, yes I do.)


For the blogathon:
Remember that mystery about why I was reviewing it separately from other versions? This is my entry in The Valentineʼs Day Period Drama Blog Party hosted by Heidi at Along the Brandywine (going until Monday the 15th!). Take a look at the other contributions HERE.


I debated for awhile what to write about as there are so many options! One day, I was listening to people (virtually) talk about this film. The consensus was not a positive one. That got me thinking, and the idea for this post came about.

You read my review and now we come to the second part of my blog post title: “& Defense Of”.

Quite frankly, I adore this film and it gets on my nerves how many times people talk about what a waste it is.

Note, if you donʼt like this movie then thatʼs totally fine! Iʼm glad that we have different opinions as it opens up a chance for discussion! Iʼm just asking that you hear me out and donʼt down this film in every aspect.

I tend to have controversial favorites (The Last Jedi, anyone?) and should be used to people disliking the things that I enjoy. It just gets so depressing, you know? Having people tell you that your favorite things are “bad” or “disappointing” or “worthless”. Iʼm starting to get too deep, but sometimes it feels like that that reflects on you. I know that there are tons of movies that I probably donʼt like that you do! I understand! In fact, there is a different version of Little Women that I don't like that much which you might! This is all okay. We're just here to talk about different and equally awesome and respectful opinions. Weʼre all going to be civil here as I just try to show you my world by telling you why I love this movie so much.

There are many different complaints for this movie, and Iʼll try to cover as many as possible, but I might not get to all of them. The most common one that Iʼve heard is this: the cinematography and filming style.


We already covered this but Iʼm going to recap. The filmmakers made a conscious decision to split the storyline that I approve of. Weʼve covered the technical aspect which I helped to explain, but there is something else that people usually comment on.

It gives away the parts of the story because we see it in the middle instead of the beginning.

True, I canʼt deny that so I wonʼt. As a tried and true fan of the story of Little Women (having read the book and seen two other versions) I know the story inside and out. For a fan like me it was nothing less than a treat to see the story told in a different perspective. Of course, for people who donʼt know what is happening, right from the start in this version you already know things that take time to work up to in the book. This is a valid argument, so if you have no idea about the story you might want to read the book or try another version first. I think it could be a fun way to experience it for the first time, but thatʼs up to you.

I canʼt recommend it to all fans of Little Women, because while I want to, I donʼt know how youʼll react. Both my sisters think that itʼs “okay” but like the 1994 version much better. That being said, I am the only one of us who has read the book, so when they say that they are confused over the timeline it makes sense.

What about me? Is this my favorite version? I canʼt rightly say. I was practically raised on the 1994 version so that will always have a special place in my heart (and the best Laurie!) but this one charms me. Everything about the set and costumes is glorious, itʼs unique, and the actors embody the characters fully. Speaking of, letʼs dive into them a little. (This is still spoiler free!)

Meg: Sometimes in film adaptations with such short time frames Little Women can feel like itʼs Joʼs story. I love how we got so much time with the other girls here. I feel that Meg especially gets neglected as being the older “boring” one. Here they gave her such clear wants and really made her feel whole. Her story has always struck to me in certain ways so I appreciated seeing that and Emma Watson really brought her to life. Her part is the most affected and “spoiled the ending” by starting in the middle. I really love the anticipation of whatʼs going to happen, so if this was your first encounter with the story that would be my sole warning of why you would want to start with a different version.


Jo: Saoirse Ronan IS my Jo. She is EXACTLY how I pictured her in the book. She is full of energy and life and is so relatable on so many levels. So much emotion goes into her (which can be a lot because Joʼs temper and feelings swing wildly) and nothing ever feels faked! Her performance is powerful and moving and one of the reasons I love this film so much.


Beth: You canʼt go wrong with Beth, can you? I thought that Eliza Scanlen played her to perfection.


Amy: Some people generally dislike Amy because she is so different from Jo, but Iʼve never had that problem. We get to another concern: having one actress play her. As I said, my sisters and I are used to the 1994 version, so we are used to two actress play her as she grows up. This can seem strange to you that this doesnʼt happen to any of the others. The thing with Amy is that she has a big age jump. In the beginning she is supposed to be 13, and by the end she is supposed to be 20. All of the other girls are older to begin with, so there is some wiggle room, per say. For Amy there is so much growing that happens in this range that it can be hard to pull off. My sisters say that it wasnʼt the best decision. I admit, Florence Pugh never quite looked 13, maybe 15 at the youngest. Others are irritated by the way she acts when she is playing the younger version. I understand that! Sometimes it seems a little over the top, but overall Iʼm so impressed with her performance. Costumes really helped as well and I just think that she did a miraculous job!


I will one day go into a mountain of details with the characters when I compare them all, but I want to admit one thing. The first time I didnʼt like Timothée Chalametʼs role as Laurie. There, I said it. I thought that he was nowhere as good as Christian Bale (but really, who is?). The second time...I did a 180. He really fits in well with this group of actors! I now approve.

Additional shout outs to Laura Dern, Meryl Streep, and James Norton!

Before I go, I should address one last thing. Some people wonder how much of a “feminist agenda” this has, with the concern that they shouldnʼt tamper with a classic story to add modern themes. Honestly, I donʼt see that as a valid concern. I donʼt think there is “too much” nor is there "too little". It has a balance and addresses issues relevant to both today and back then. I agree that part of the ending does seem tacked on, but anyone who has read the book knows that itʼs more of that. (No one ever does a certain character to justice, but in here it was close. One day I will see someone I am content with).

Now, is this film perfect? Probably not. I just think that it deserves more credit than people are giving it.

How to wrap up such sprawling thoughts? I love this adaptation and always will. It is lovely in every way. I hope that I have convinced you of itʼs value and that you now want to watch it in this form: A story about sisters growing up.



That got long quickly. If you made it this far, thank you so much! Thanks to Heidi for hosting this event, and I urge you guys to check out the rest of the posts HERE.


Time to talk! Anyone have the same opinion as me? Anyone have an opposite one? Either way I would love to discuss the different attributes! What is your favorite version of Little Women? What is the most unique cinematography that youʼve seen?

MovieCritic

Tuesday, February 9, 2021

The Lovely Blog Party and The Valentine's Day Period Drama Blog Party Tags!

Hello to all of my readers!


Today Iʼll be participating in two blog parties at the same time by answering tags! Usually I would do tags by themselves, but my answers seemed a little dull separately but better together so here we are!
The blog parties are:

The Valentineʼs Day Period Drama Blog Party hosted by Heidi at Along the Brandywine (going until Monday the 15th!). Take a look at the other contributions HERE.


& 

The Lovely Blog Party hosted by Cordy at Any Merry Little Thought (all month!). Check out all of the other contributions HERE.



Iʼll start off with:
1. Would you ever go for a walk in the pouring rain to avoid the company of a gentleman caller?

If Iʼm going out in the rain Iʼm not going to be walking. Iʼm going to be singing and dancing!


Anyway, maybe I would. I definitely would not walk around in the rain to be able to gaze at a manʼs estate only to catch my death of cold.

2. Would you ever, truly, try your hand at matchmaking?

Whoʼs to say that I already havenʼt? Matchmaker, matchmaker, make me a match!


No, I am afraid I would be terribly obvious, only producing negative results.

3. Would you be comfortable wearing glass slippers for a night out at a ball?

Apparently theyʼre actually really comfy, so maybe I would not mind. Then again, I never wear high heels of any kind because Iʼm already tall so I donʼt have the practice and would most likely fall!

4. Would you ever eat an apple given to you, rather forcibly, by a perfect stranger? 

“Age before beauty.” If there was someone else who needed it more I would share... 

5. Would you ever pretend to be a man's fiancée who you've never actually met?

 Depends. I donʼt see a circumstance where this would ever happen unless I was a spy and the guy was Armie Hammer, like in The Man From U.N.C.L.E. (2015).


6. Would you ever dance with a stranger that sang to you in a forest?

I am rather partial to being serenaded. I like the idea of it. Probably. It also depends on what kind of dancing.

7. Would you ever be the one to propose?

My answer:


8. Would you ever visit the house of a man you refused but is supposedly out of town?

As much as I love that scene in Pride & Prejudice, I donʼt see myself doing this. Unless it was under the cover of darkness or I was disguised. As you can see, Iʼm still thinking that Iʼm a spy for some reason.



For this next tag Iʼm going to to my usual and only use each film that I talk about once. That means that I have to get creative!

SPOILER ALERT! I talk about the endings or important plot points of: Downton Abbey, The Guernsey Literary and Potato Peel Pie Society (2018), North & South - by Elisabeth Gaskel, and Sense & Sensibility (1995). If you havenʼt seen those then leave or tread carefully (avoiding questions 3, 6, 9, and 10).

1. Your current three (or up to five!) favorite period dramas?

Thank you for giving me more options, Heidi! I am terrible at making decisions.

My favorites are: Amazing Grace (2006), Fiddler on the Roof (1971), Pride & Prejudice (1995), Little Women (1994) & Little Women (2019).

2. What would you recommend to someone whoʼs never seen a period drama as a starter?

Jane Austen is always a great start! Iʼd recommend Emma (1996) as I think it was my first experience with Jane Austen AND Period Dramas together. (It mightʼve been the 1995 Sense & Sensibility, but Iʼm using that for another answer).


3. A favorite couple that wouldnʼt be included in answer #1 (ʻcause Iʼm figuring those are already top favorites ;)) and/or a favorite secondary character romance?

Iʼm going to go with one from The Guernsey Literary and Potato Peel Pie Society (2018) (movie because I liked it better than the book) that is the couple of Juliet and Dawsey. When I was reading the book I was kind of oblivious to them being a couple until the very end which caught me off guard, but I really liked the movie because I shipped them the whole time.

4. What do you consider foundational qualities for a healthy romance? 

Patience. Everything else comes from that.


5. Worst villain/antagonist?

Fernand Mondego from The Count of Monte Cristo (2002). He is terrible! The betrayal of his best friend and treatment of his family make him a horrible person, and he isnʼt sorry! He relishes it and is proud of everything heʼs done.


6. A favorite proposal scene?

In Sense & Sensibility (1995) when Edward Ferris proposes to Elinor Dashwood! It is so cute! Everyone is crying and just so happy! You can watch the clip HERE. I recommend it. I've seen this movie a million times but it never fails to make me smile!

7. Favorite period drama characters based on a real life couple?

The Duke and Duchess of York, who then become King George VI and Queen Elizabeth from The Kingʼs Speech (2010). This is one of my favorite movies of all time! Granted, itʼs rated R but thatʼs the only film that Iʼve liked with that rating. Scratch that, itʼs the only one that Iʼve liked AND loved! Both of these characters are amazing. Bertie is going through hard times but Elizabeth is so caring and does her best to help him while being always incredible.


8. Any classic b/w period dramas you like?

Captain Blood (1935)! I just saw this for the first time the other day and ʻtwas marvelous. Pirates, need I say more? Oh, and Errol Flynn and Olivia de Havilland because OF COURSE!


Another one is The Son of Monte Cristo (1940)! My younger sister always rolls her eyes when I talk about this because she thinks it is very cringe worthy, but my older sister and I love it. It is so sweet and precious! Epic sword fights, lovable characters, disguises for the sake of a revolution, it is just brilliant.


9. Most mature romance in a period drama? (mature as in age and/or characters who are consciously and wisely ripened by life experience, etc.)

Talking about the famous period drama Downton Abbey, my favorite most mature romance is Mr. Carson and Mrs. Hughes. They were one of the reasons that I kept watching the show after so many painful and horrible things happened. Their relationship is just adorable in every way.

10. Most excruciatingly long, slow burn romance in a period drama?

North & South - by Elisabeth Gaskell has an excellently drawn out one featuring Margaret Hale and John Thornton. I havenʼt actually seen a version of this as Iʼve only read the book. I am really interested in the 2004 mini series, though! Anyway, it takes the ENTIRE book and it is so wonderful and I love it so much that itʼs my third favorite book of all time.



11. A story that has multiple film adaptations where you love more than one of them?

The legend of Robin Hood! It is one of my favorite things ever. I have seen 9 versions, and while I havenʼt loved all of them, my favorites are both the BBC Robin Hood (2006-2009) and The Adventures of Robin Hood (1938)!


12. A book you think needs to be made into a film (or a new adaptation)?

There are so many period dramas that I havenʼt seen I canʼt even think about making something new. My biggest contenders would be: Agnes Grey - by Anne Brontë (this is a very boring book that is not my favorite, but Iʼd be interested in seeing costumes and sets and whatnot), The Blue Castle - by L. M. Montgomery, Hattie Big Sky - by Kirby Larson, and Wonderland Creek - by Lynn Austin. I canʼt think of anyone good to start in any of these make-believe adaptations, so if any of you have ideas let me know!



Thank you Heidi and thank you Cordy for hosting the events! Be sure to visit The Valentineʼs Day Period Drama Blog Party and The Lovely Blog Party!

Thanks to the rest of you for reading! What do you think of my answers? Where do you agree with me and where do we differ? Did any of you catch any of the non-sequitur references that I was throwing around?

MovieCritic

Friday, February 5, 2021

Movie Review: Letters to Juliet (2010)

Ciao!

February is a month known for what happens on the 14th: Valentineʼs Day! We are still a few days away, but I thought Iʼd be ahead of schedule and write about a chick-flick today. Do you like seeing beautiful scenery in films? If you do, then read on!

My guarantee: On ALL of my reviews there are NO spoilers unless I give you warning. This is spoiler free! Iʼm just here to make you curious so you have to see it for yourself to find out how it all turns out!


Letters to Juliet (2010):
Sophie and her fiancé Victor are taking a vacation in Italy before their wedding. Victor is opening a restaurant so instead of seeing the sights of the country he goes to a lot of food tastings. Meanwhile Sophie goes to the Juliet's Wall in Verona and finds a society called “the secretaries of Juliet”. Each year people leave notes there and those ladies reply to those letters. Sophie finds one that was hidden for 50 years, and asks if she can reply to it. Awhile later she is found by an angry young man who is accompanying his grandmother--the lady Sophie wrote to and inspired to find the man she once loved. Sophie is now invested in this story and wants to write about it. They set out to find the man Claire loved when she was younger. The grandson, Charlie, hates it as he sees the thing as a waste of time, and could he be right? Where does love go after all of those years?
“I'm sorry, I didn't know love had an expiration date.”
Genre:
Romance.
Length: approx. 105 minutes.
Script: 9, I donʼt think there were any bad words at all. Iʼm taking off one point because of a really cheesy line near then end that had my sister and I laughing at how bad it was. But, this one was nice:
ʻ“You get to skip the messy bits.”
“Life is the messy bits.”ʼ
Crew: Directed by: Gary Winick. Written by: Jose Rivera & Tim Sullivan. 
Starring:
Amanda Seyfried as Sophie Hall.
Vanessa Redgrave as Claire Smith-Wyman.
Christopher Egan as Charlie Wyman. 
Gael García Bernal as Victor.
Marcia DeBonis as Lorraine.
Luisa Ranieri as Isabella.
Marina Massironi as Francesca.
Lydia Biondi as Donatella.
Milena Vukotic as Maria.
 Daniel Baldock, Marcello Catania, Benito Deotto, Sandro Dori, Adriano Guerri, Stefano Guerrini, Angelo Infanti, Franco Nero, Giacomo Piperno, Remo Remotti, Fabio Testi, & Elio Veller as different Lorenzos.
Ashley Lilley as Patricia.
Costumes:
7, I donʼt have much of an opinion on this part. Maybe some people would consider them low in places? I thought that Sophieʼs wardrobe was very cute. 
Cinematography: 10, the visuals and scenery are one place where this movie really shines. After watching it you immediately want to go to Italy! It is just a gorgeous place! I couldn't find any good pictures, so you'll have to watch it to see.
Cinematography by: Marco Pontecorvo.
Music
: 8, not particularly memorable, but if I were to use a word to describe the score, that word would be "bright". I'm not quite sure how that works because brightness is visual, but that's the feeling it gives me (and now I have a different song stuck in my head...). My memory is a little foggy, but I remember that in the background there were songs sung in Italian? That was neat!
Music by: Andrea Guerra.
Quotability:
7, note that Iʼve only watched it once, and usually once you rewatch things you are sure to quote them so this score might change over time. I can see myself repeating Charlieʼs sarcasm. I docked a point again for that one line because it was so painfully cringe-worthy. Now that I think about it, my sister and I have found ourselves saying this quite often:
“One of the great joys in life is having one's hair brushed.”
Content: 8, for a rude gesture, a few mildly suggestive things, and kissing (itʼs a romance, so that last one is expected). I thought it was really clean, though!
Originality:
9, the whole setting in Italy and looking for Claireʼs Lorenzo was so cute and unique! The rest of it follows the normal romance plot, but overall I thought it had fun spins on it. The characters were more developed than you usually see in those kinds of things!
Good For:
Romance and chick-flick fans.
Age Range: Itʼs rated PG, so fine for pretty much all ages!
Overall Score: 8!
Worth watching?:
Yeah! My sister and I actually had quite the fun experience with this. We decided to challenge ourselves and for once in our lives stay up all night long. We didnʼt make it that long and fell asleep pretty soon. But, before that we watched this movie! Iʼd seen people mention it, so I was glad to finally see what they were talking about.
Will I watch again?: Usually my answer to this question for chick-flicks is no, just because I got tired of it, but not in this case! I definitely want to see it again sometime. I donʼt know why I liked this one when I havenʼt others, but it just gave me the “warm fuzzies” as people say.
Bonus thoughts:
“Charlie doesn't approve, which makes it all the more fun.”
Claire was an absolute dear! (And no, I donʼt think Iʼm biased.) She was so sweet, she was my favorite, no doubt! It was a contrast to her grandson Charlie (whom we still love in his own way)! The relationships between all of these characters were great. I really liked Victor, he was a sweetheart. I liked how connected--yet different!--the things the characters were going through. Sophie was a fun protagonist and her involvement in the story is what makes it all happen!
I don't usually (or so I claim) like chick-flicks, but this was cute! I liked it a lot better (SO MUCH) than the last one I watched, Leap Year (2010).
I donʼt have much to say besides that. I had a fun time, and I think that if you enjoy these kinds of movies then you will too!


For the blogathon:
This is my entry in Cordy at Any Merry Little Thoughtʼs Lovely Blog Party! She is hosting it all month long to celebrate favorite couples in books and movies!


From this moment on: SPOILER ALERT! I WILL BE TALKING ABOUT THE END OF THIS MOVIE! So please, read no further if you haven't seen it.

Walk away if you haven't seen this! (Or scroll away or however you want to do that).

I really liked that we got to explore an older relationship! Claire and Lorenzo's story made me so happy. It was so nice that they loved their former partners and would always, but the fact that they were able to find happiness in each other after loss and grief made my heart swell. Also, the people who portray them, Vanessa Redgrave and Franco Nero are married in real life! That added a beautiful extra layer.
I love me a good hate-to-love romance. It's usually my favorite kind. This one was very good! Sometimes writers make two characters hate each for no clear reason! That is so frustrating. But, this avoided that! We clearly see why Charlie is so upset with Sophie when they first meet! It was well written and sweet.



Thank you to Cordy for hosting! Have any of you seen this or do you think you will now? Do any of you constantly claim that you hate romance movies but end up being surprised from time to time (As anyone can tell you, I am very guilty with doing that)? Favorite chick-flick? Anyone else know any "bright" music? Thanks for reading!

Arrivederci! 

MovieCritic

Tuesday, February 2, 2021

Movie Review: Ratatouille (2007)

Good February day to you, readers!

Today is February 2nd, a day commonly thought of with an animal mascot. Iʼm going to review a movie about that very same animal, the rat!

Just joking, thatʼs my little sense of humor kicking in. Today is Groundhog Day, not Rat day, yet I am still choosing the rat. Iʼm sorry, one year I will actually focus on the groundhog! For now, there is a method to my madness. We are coming to the end of a year. I know that youʼre thinking Iʼm a little late to the game (youʼre not wrong), but the year that Iʼm referring to is the Lunar New Year! This was the Year of the Rat, and on February 12th we will enter the Year of the Ox. I am by no means an expert, but I thought that reviewing a movie with a rat would be a fun thing to do and I could connect it back in!

Did I mention that one of these rats cook? If that sounds odd to you, then keep reading.

My guarantee: On ALL of my reviews there are NO spoilers unless I give you warning. This is 100% spoiler-free! Reading this wonʼt give away the ending or any of the twists!




Ratatouille (2007):
“Whatʼs my problem? First off, Iʼm a rat.”
Remy is different from the other rats because he values what he eats. Food calls to him in a special way that no one else understands, not even his big brother Emile, though Remy tells all of this to him anyway. When their colony is found out Remy gets separated from the other rats and is alone in Paris. He pretends that he is talking to his favorite chef who gives him advice. After an encounter with a human, Linguini, they are both in a tough position. Together they realize which one of them can cook and which one canʼt. They come up with plan, a crazy one, but will it work? The sous-chef Skinner is suspicious of them, but can they avoid detection while Linguini keeps his job and Remy gets to fill his dream?
“Anyone can cook!”
Genre:
Animated, Family.
Length: approx. 111 minutes.
Script: 9, I wrote down that there is one bad word, but itʼs not notable.
Crew: Directed by: Brad Bird & Jan Pinkava. Written by: Brad Bird, Jan Pinkava, Jim Capobianco, Emily Cook, Kathy Greenberg, & Bob Peterson.
Starring the voices of:
“We are artists, pirates!”
Patton Oswalt as Remy. “A cook makes, a thief takes.”
Lou Romano as Alfredo Linguini.
Ian Holm as Skinner.
Peter O'Toole as Anton Ego.
Janeane Garofalo as Colette.
Peter Sohn as Emile.
Brian Dennehy as Django.
Brad Garrett as Gusteau.
Will Arnett as Horst.
Julius Callahan as Lalo & Francois.
James Remar as Larousse.
John Ratzenberger as Mustafa.
Teddy Newton as Lawyer.
Tony Fucile as Pompidou & Health Inspector.
Brad Bird as Ambrister Minion.
Stéphane Roux as TV Narrator.
Costumes:
N/A, itʼs animated and everyone is wearing standard clothing or cooking uniforms, so it doesnʼt count. If I was being picky (which I usually am but am not feeling like it today), I would say that there is one scene where someone isnʼt wearing a shirt. 
Animation: 10! Pixar almost without a doubt always receives a 10 for this category. They specialize in creating these masterpieces which have outstanding stories, but are carried so well through stunning animation. The rats arenʼt gross, but the way they are drawn gives them character! Also, all of the people are really unique. But, my favorite aspect goes beyond this. Have you ever wondered what "taste" looks like? This movie gave the feeling of tasting food a visual!
Animation by: Pixar animation studios.
Music:
10, again, absolutely marvelous. This story all happens in France and that is woven in the music really, really well!
Music by: Michael Giacchino (heʼs a genius!).
Quotability:
10! I wrote down really random things as my notes, but that goes to show you that this whole movie is chockfull off good lines. One that my sister says to me all the time (with the perfect accent!) is:
“Should I be concerned about this? About you?”
Notes: Chef Thomas Keller was consulted during the making of this film and came up with the recipe for the famous ratatouille dish. My family has made it and it is delicious. This movie also has bonus features of a Pixar short (Lifted) , and another short called My Friend the Rat, so stick around for those.
Oscars won: 1: Best Animated Feature Film.
Content:
8, there are dead rats, stealing, death, a suggestive line, kissing, and a scene where someone is intoxicated (one of the funniest scenes, but I digress). I won't reveal all of the scene, but one of my favorite lines is, "If you're gonna name a food, you should give it a name that sounds delicious.", and everything that comes before and after.
Originality: 10! This is one of the most unique plots that Iʼve ever seen, yet it works. Itʼs incredible. A rat who wants to cook? I love it so much. It shows you what itʼs like to have a passion for creating and to go after your dream! It is beautiful.
ʻ“Yeah, it was as bad as we remembered.  It just went out."
“Did you taste it?”
"Yeah, of course. Before he changed it."'
Good For: Anyone who is alone, anyone who loves food, families, anyone with big dreams.
Age Range:
This is perfectly acceptable for all ages. As a bonus, from young to old anyone will probably love this! It is relatable to all ages and has good messages, not just for kids.
Overall Score: 9.5!
Worth watching?: I have never regretted watching this movie in all the times that Iʼve seen it. It never gets old and I always get something new out of it, whether itʼs understanding the story more, appreciating the animation or score, or finding new lines to quote on a daily basis.
Will I watch again?:
This is one of my sisterʼs favorite movies, so definitely. I canʼt tell you how many times Iʼve already seen it, and I canʼt tell you how many times I will see it again!
Bonus thoughts:
“If you focus on what youʼve left behind you will never be able to go ahead.” 
Pixar creates wonderful and magical films. Something that I love about this movie is how it takes place in the real world. We see everything from Remyʼs perspective as heʼs our narrator and we see him talking to other rats, but he canʼt talk to humans. Every once in a while it switches for one second to a humanʼs point of view and all we hear from the rats are squeaks. Something about that communication barrier adds to it and makes you almost believe that something like this could happen. Could animals have dreams of greatness like we do?


I love all of the characters! Colette is amazing. If you ever wondered it there is a fictional character who I am like, it's Linguini, with a dash of Emile. Probably more than a dash. Remy is the perfect character to root for! Anton Ego is iconic. The whole time when I last watched it I kept really hearing Peter O'Toole's voice distinctly and kept telling that to my sisters. They would then tell me that they knew that. The characters are all so well rounded, not a single one is lacking in any way!

Like all Pixar movies, the messages are what hit home. Watching this you know that everyone has a job that is important, and no one is "just a garbage boy".


Fin

Thank you for reading! Have any of you seen this movie? What about any other movies involving rats? Favorite cooking film? Enjoy six more weeks of winter!

MovieCritic
"If you want a happy ending, that depends, of course, where you stop your story." -Orson Welles