Inklings // May 2025

Hello, friends!

"The end of May and early June" blend together, and I'm not the only one who thinks so, as Evan Hansen sings the same thing. Today I'm participating in a May event even though it's June because May is such a delightful month!

This is May's Inklings hosted by Heidi who blogs at Along the Brandywine!

How it works:

    1. At any time during the month, on your own blog post a scene from a book or film that matches the prompt, including a link back to the original post in your post.

    2. Leave a link to your post in the link form in the monthly post so everyone can visit your post.

Click HERE to see all of my past entries, and click HERE to see all of the entries for this month! May had the following prompt:

A stagecoach scene in book or film

While at first I was thinking of all of the Western movies I've seen, it suddenly hit me that it's been a while since I talked about a book for Inklings. All the way back in last May! The title of my blog shows my penchant for movies, but I still love books and should not default to movies all the time.

Therefore my choice is the book Cloaked - by Rachel Kovaciny.

The entire first chapter takes place on a stagecoach, so here are the first couple of paragraphs that open the book!:

"You see? I'll be perfectly fine," Mary Rose O'Brien assured her dutiful chaperone, Mrs. Shaw. She climbed into the stagecoach, took her place on the only empty seat, then smoothed out the skirt of her brown travelling dress to keep it at least somewhat presentable.

In truth, the stagecoach was more cramped than Mary Rose expected. Two people would barely fit on each wooden bench. If you didn't know your neighbor well already, you would by the end of the ride. And yet, a man had contrived to fall asleep on the opposite seat, curled up on his back with his dusty boots tipped up against the side. The stage was so small that she might have leaned forward and touched his shoulder without leaving her own seat.

Mrs. Shaw frowned up at Mary Rose from where she stood in the street, though that didn't mean she was displeased with Mary Rose, the stagecoach, or anything else in particular. Mrs. Shaw rarely found anything pleasant enough to bother changing her expression..."

This was fun for me to visit because I read Cloaked all the way back in 2017! It is the first in Rachel Kovaciny's Once Upon a Western series. I've reviewed book 2 (Dancing and Doughnuts) and book 3 (One Bad Apple), but this post is reminding me that I never got the chance to read her latest in the series, My Rock and My Refuge or her collection of short stories, Prairie Tales Vol. 1. I need to get on that!

You can find Rachel on her author blog, but she also blogs at The Edge of the Precipice and Hamlette's Soliloquy, so you can go check out her thoughts on other stories as well as updates on her own!

A huge thanks to Heidi for hosting this even though I've been behind on joining in! Now that school's done I don't have plans on missing another...

As for you readers, have you ever been on a stagecoach? I was on one once for a tour around my hometown when I was really little and that was long enough! It was fun, but I can't imagine going across the country in that. What are some of your favorite scenes with stagecoaches? Any Western book recommendations for me?

Have a great day!

Chloe the MovieCritic

Movie Review: The Breakfast Club (1985)

"Don't you forget about me..."

We all have probably heard that song. Maybe some of us know the references from watching other films such as Pitch Perfect (2012), but I'd never actually watched the 1985 cult classic The Breakfast Club.

I wasn't a complete stranger to it, though. Even without knowing names, from the first few minutes into the film I recognized "the guy in the trench coat."

Now I know the names of all the characters. I still don't understand why it's called The Breakfast Club, but I have more thoughts to contribute. With that, enjoy my spoiler-free review of John Hughes's hit film:

The Breakfast Club (1985):

Premise: Five kids are stuck in detention for all of a Saturday. They're all from different school cliques and at first have nothing nice to say to each other. As the tensions of being stuck in the same room with each other escalate, it makes them each question who they really are.

Genres: Coming-of-age, drama.

Length: approx. 97 minutes.

"I'm in a math club." Look at him count!

Age Range: This is rated R, so not advised for under 17 without an adult. It is a movie about teens for teens, but that does come with a little baggage. There is a lot of language including intense swearing and name calling. Teen smoking. Bullying both verbally and references to physical bullying with a discussion of hazing. There are quite a few inappropriate comments about people and their bodies as well an invasion of personal space. Dialogue with suggestive sexual undertones as well as several discussions of whether these teens have or have not done these things. Additionally there are darker subjects such as allusions to domestic violence and attempted suicide.

Crew: Directed and Written by: John Hughes. Produced by: John Hughes and Ned Tanen. Cinematography by: Thomas Del Ruth. Music by: Keith Forsey.

Starring: Anthony Michael Hall, Emilio Estevez, Molly Ringwald, Ally Sheedy, Judd Nelson, Paul Gleason, and John Kapelos.

While all of the five actors playing the roles of the high schoolers were known as part of the "Brat Pack"---the name for a group of young actors who tended to appear in the same films together, playing off of the idea of the 1960s Rat Pack---this movie also possibly sets the stage for casting non-teens to play teenagers. Of the five students, only Molly Ringwald was under 20.

General thoughts:

I am not known as a lover of 80s movies. In fact, I usually stay as far away from that decade as I can (though as I've seen a wider range of films I now consider the 70s to be the worst decades of movies made). With this knowledge of my least favorite decades, years ago my younger sister told me that I wouldn't like The Breakfast Club. I figured she was probably correct, but as it is on the 1001 Movies You Must See Before You Die list, I thought I should check it out. It was the 100th on that list for me to see, so approx. 1/10 of the way there I feel like I'm finally making progress!

Back to this film from 1985, was my sister correct in her prediction? 

"When you grow up your heart dies." Way to shoot an arrow to my heart.

I really like the premise of bringing people together from different groups and having them interact with people they would never choose to. I think that is a very human story and makes us rethink the walls we put up in our own life. At the same time, the execution of that idea is not my favorite here. Maybe that makes it time to admit that I was baffled through most of this film for the way the characters treat each other due to how I never went to a public school. Are high schoolers really this cruel to each other? Does an eight-hour session of detention on a Saturday really exist?

I see this as is a precursor to other stories such as The View From Saturday - by E.L. Konigsburg and Lemonade Mouth (2011), where kids from different school cliques join forces through detention or competition and realize that they are more than the barriers dividing them. The difference with The Breakfast Club (1985) is that all of the film takes place in one day. Brian asks the others what is going to happen to them on Monday, and while dialogue and actions tell some possibilities, we as the audience don't know. It's let up to our imagination. There was the possibility of a sequel for a long time, but that never got fully developed.

I'm left with a few questions. Why was Claire in detention? My web searches for the answer to this question is that it is because she skipped school, but I don't remember that being mentioned anywhere. Then again, while I did watch this movie within the last week, I watched it over a few days in 20 or 40 minute pieces, so I could've lost some of the continuity.

As far as other continuity, I like the way that it tried to show us eight hours in under 100 minutes, but there were a few times it felt a little off to me. There was a bit jump from learning about Bender's life to roaming the halls that did not flow and I would've like to see how Bender convinced the others to do that.

While I was not around in 1985, this film dates itself in a few ways. One being the ending, which is portrayed as being a good one, but I did not think it was the right one. While the characters developed and relationships grew, I don't think it had earned where it went. I did not understand the dynamics between a few of the characters, especially how one was nothing but cruel to another and never apologized yet we the audience are supposed to be rooting for the two of them to come to an understanding? I'm all for connection between these characters, but I think kindness is key to be displayed sometime throughout the eight hours and one day is not enough to grow close the in way the film forced them to be. 

Are they in school or jail? Is there a difference?

There was another reason that I did not love the ending. Ideally, part of characters finding the similarities between each other is where they come to realize that the differences are important, too. Here, it feels like the differences between "us weirdos" was kind of erased? For no real reason? I'm more than a little grumpy about this.

Another way that it is dated to the 80s is in terms of content, and in particular I felt it was typical that while three of the characters really pressed about details of their personal and intimate lives, the other two never were under this same pressure. That unfortunately played into stereotypes instead of challenging them. Not that needed to know, I just think it unfair of how these characters were treated as opposed to Andrew and Bender. 

"Didn't we already talk about this?" I was thinking the same thing.

With all of this, I didn't dislike it either. One of the dancing scenes made me ridiculously happy. The montage of what it was like being bored was peak comedy. While I didn't love some of the cinematographic choices for invading a person's personal space, for the most part the camera angles didn't strike me as being anything special. That is until a scene where Andrew is talking about his relationship with his dad. The camera moves around him, behind the heads of the other teens, ducking behind walls, but the focus is always on Andrew and doesn't change until he's done. It was a very effective way to capture his feelings with the breaks in the viewer seeing him almost working along with his breathing.

My absolute favorite part of the movie was a scene between Andrew and Allison where he asks her what's going on. There is such a softness and gentleness to this gesture and I loved the demonstration that persisting in asking a simple question means that someone is listening to you. 

I also am not ashamed to admit that I cried while watching this film. Not in the part that people usually do I suspect, but when my favorite character cried. How dare you hurt his poor feelings!

I'm glad I watched this movie. It had depth. It feels like an ode to the struggles some high schoolers face, and I appreciate that. So to reassure what the band Simple Minds is singing about, no, I won't be forgetting about it any time soon. With that, I think the message of this movie was accomplished.

"Don't you forget about me // Don't, don't, don't, don't // Don't you forget about me"

This is my entry in the blogathon hosted by Hamlette (of Hamlette's Soliloquy) and Quiggy (of Midnite Drive-In), which is the Back to 1985 Blogathon! Make sure to check out HERE and HERE for a roster of all of the entries celebrating the films of 1985.

Thanks to both Hamlette and Quiggy for hosting!

How accurate is this movie to your high school experience? What are other stories of people from different backgrounds getting together that you enjoy? Do you have a favorite character from this movie? Does anyone know why it's called The Breakfast Club? I understand the club part and when the title is said, but it seemed non sequitur to me. However, most of my own thoughts probably seem non sequitur to others, so maybe this movie and I are well matched!

Thanks for reading, friends! 

Chloe the MovieCritic